A recent editorial in Princeton University’s most conservative publication, the Daily Princetonian, predictably dismisses all of the demands made by the Black Justice League during the recent protests against racism on campus. But what is surprising, not to mention embarrassing for the University, is the anti-intellectualism expressed by the editorial board members.
Daily, we take for granted something revolutionary: we can instantaneously update thousands of people on any information we desire to share. Inherent in that great power, however, is the even greater risk of potential embarrassment, ranging anywhere from awkward tweenage photos to your creepy uncle commenting on every status.
Every suburb is defined by its city. At least, that’s what my southern California suburban experience was defined by, the glowing metropolis over the hills, alluring and enigmatic as Faye Dunaway in “Chinatown.” Los Angeles tells the story of itself … Read More
The Nobel Prize in Literature is an important mark of Swedish achievement. Throughout its one-hundred-and-seven year history, the award has been bestowed upon many legendary writers and a number of women as well. Last week, Doris Lessing joined the ranks … Read More
There are many students here who, next Monday, will be able to spend the day or the night with someone they care about deeply. These people are lucky. The rest of us will spend St. Valentine’s Day doing something that … Read More
I’m not sure how your Valentine’s Day turned out—sappy and loaded with Stevia, I hope. As I write this, mine doesn’t seem to be beginning so well. It’s 12:33 am Sunday morning, and I’m watching _Zombieland_ with my fourteen year-old … Read More
They are the prophets of unwanted gaiety, the minstrels of midnight madness—they are the piano players of Frist, and I hereby appoint myself their public defense.
Henrik Ibsen’s Hedda Gabler is a fitting play for Princeton University. It takes place within the well-furnished walls of a bourgeois apartment, and is concerned with comfort, or more accurately with the horror of comfort. Like many students on campus, Hedda enters the stage entirely provided for yet entirely hungry, perversely hungry.