“What the story lacks in cohesion and clarity, though, it makes up for in inventiveness and provocation. It seems intentionally on-the-nose that the protagonist’s name is “Cash Green,” as the film takes the inherent absurdity and selfishness of capitalism to the extreme.”
When the Antlers released Hospice in 2009 on Frenchkiss Records, the band established itself as a project of personal catharsis for its frontman, Peter Silberman. Designated a concept album, Hospice channeled Silberman’s past romantic failures into a story of two individuals confined to a cancer ward: a hospice worker and the terminally ill patient he gradually falls in love with.
Since the beginning of time, editors at The Nassau Weekly have taken their pens to each other’s Common Application Essays. And yes, The Nassau Weekly has been around since the beginning of time.
