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After the Beast Within
In the Earth, Cicadaboy Has an Out-of-Body-Experience Sweat on slate like spilt brain ejaculate, like old sun god’s been plugging holes with lead again, old dog dying of heat stroke again, it’s Thursday, and a series of freak thunderstorms is set to just tear across the county this afternoon, into the evening, the night,…
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Letter from the Editors
Oh, wow, is that the time? We’ve gotta get out of here! (A letter upon our departure from the throne of the Nassau Weekly.)
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Avatarotica 2: The Way of Wetter: Full Design
In the final issue of our forty-fourth volume, the Nass interrogates the illusion of control in the beauty ideal, attempts to translate a scandalous conversation, and cracks open the meanings of “fault.”
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Telescoping Fault
To telescope, we begin with 300 words, then slice the word count in half for each successive section. We stop when the numbers stop dividing evenly. This week, eight Nass writers telescope the word “fault.”
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Behind the VHS, Betacam, and GoPro: Ivar Murd and his Production of Cult Music Documentary u.Q.
A writer visits the New York Baltic Film Festival and delves into the world of the late Estonian music star Uku Kuut, as captured on film.
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A Merienda with Sappho
“The dialogue below [..] is one of those instances in which my participation was peripheral, but the conversation was still exhilarating, confusing, and verging on scandalous.”
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Giving Up on Pretty: Capitalism, Feminism, and the Illusion of Control
“I’d like to think that through educating myself on the topic of the beauty myth, I’ve naturally come closer to adopting a body neutrality mentality; after all, it’s hard to want to play a game that you know is rigged.”
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The scourge of the decaf fiend: thou shalt be unproductive
“I must confess / I have been sitting at this corner table for two whole hours / writing my Senior Thesis™ / but I was just pretending…”
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The Sunset Art: Thoughts on Photography and Travel
“For Sontag, photography gives the amateur tourist photographer a sense of control— but superficial control. Knowledge— but superficial knowledge. In an unfamiliar, foreign environment the camera offers the illusive feeling of possession and command, in a very real sense empowering the photographer to take something of the place with them as their own.”
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