“Has a dude ever peed in your vag?” This is the provocative question posed at the beginning of Eight Feet. In this engaging drama-comedy written by Rafi Abrahams ’13 and directed by Rachel Alter ’14, four college students trapped in a basement bedroom during a snowstorm find themselves reconciling this urine-related trauma.
It’s a Thursday night. I’m sitting at my desk, staring at a tormenting problem set, when I hear my door swing open. An eager head pokes in through the doorway. “Yo, Lils,” the head says. “Want to come to a naked party later?”
I entered Alexander Hall, heart pounding, clutching a small spiral notebook and an orange ticket. The narrow, rounded hallway bordering the theater was filled with a labyrinth of lines. I frantically weaved through and approached an usher to ask her where I could wait in order to sit in orchestra seats.
Slowly, a faint hissing sound began to rise. The girls let out nervous giggles and looked around, shaking and sweating (in the form of a singular, gigantic sweat drop forming on each of their absurdly tiny anime noses). The hissing became louder, and we saw a yellowish haze rising around them.
I haven’t seen you in a while. And I suppose you’ve never really seen me (remember, I am just one proton). Though I periodically get lonely, I manage to stay positive. This is a joke, Oxygen. You see, I am always positive in an electromagnetic sense (I am a proton!), but my morale—well, with a relentless positive charge comes a great burden. O—may I call you O?—nothing comes easily to me.
It was just one week before that these same sophomores were sitting in my common room, nervously tugging at their hair and preparing themselves for bickering. Some were discussing which outfits to wear for bicker—in the case of some, this meant strategically picking shoes that could withstand intense moisture, snow, and beer spillage, yet still not appear sloppy. Some girls were flipping through bicker guides prepared for them by upperclassmen friends. I overheard two sophomore boys in Frist struggling to come up with five interests to write down on a pre-bicker survey.
Getting tickets was a nightmare—the chances were slim to nothing. One in a quarter billion. But somehow, the odds worked in your favor. Seems pretty arbitrary, if you ask me. You were offered a front row seat under one condition—you would stay for all of it.
“The madame will be joining us soon. Her horse sprained his ankle on the journey down Second Avenue,” my grandpa said in a mock British accent. My grandpa is a writer, and jumps at opportunities to knit fantasy into everyday experience, be it with affected accents or outrageously butchered attempts at Mandarin.
Losses are lonely. They leave you grasping at the memories of entities that may never grace your fingertips again. Friends may offer “where did you last see it?” or even briefly join your search team. But when the search team tires of trying to undo your mistake, you’re all alone. The consequences of your actions—the shame, the anxiety, the grief—are felt only by you.
The first time I met Leah, she was reading an evolutionary biology textbook in a tree in the Mathey courtyard. As the weather grew warmer in the spring, I began to see her there almost constantly. One day, I decided to overcome my aversion to aerated New Jersey soil and sharp acorns, and joined her reading session.
