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Category: Reviews

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The Setlist (2)

A review of Brokeback’s “Illinois River Valley Blues” and Hand Habits’s “Wildly Idle (Humble Before the Void)”

by Sam Maeglin on March 12, 2017April 2, 2017

La La Land’s Nostalgia

“It follows a struggle we have all faced: if you love the past, how do you approach the future?”

by Jessica Nyquist on March 12, 2017March 11, 2017

The Setlist

A review of Mega Bog’s “Happy Together” and Sam Skinner’s “Danny Through Junior EP”

by Sam Maeglin on March 5, 2017July 24, 2017

Let’s Be People

A Rubblebucket concert review

by David Exumé on February 26, 2017March 5, 2017

Lo and Lana

Re-constructing Lolita with Lana Del Rey

by Gloria Umutoni on December 3, 2016

Crime and Composition

On the detective fiction of Ricardo Lísias and the electronic novel

by Lara Norgaard on October 24, 2016July 21, 2017

The Bourne Escalation

Hollywood retconning just got personal.

by Harrison Blackman on October 24, 2016November 13, 2016

Too Soon

A review of Bon Iver’s 22, A Million.

by Tom Hoopes on October 24, 2016October 24, 2016

How to Write a Pitchfork Album Review

Listen to two or three of the songs off of the album. Pick them from different sections, so it seems like you listened to the whole thing. Also, don’t call them songs. Call them “tracks” or (even better) “cuts” instead.

by Samuel Bollen on September 26, 2016October 2, 2016

Give a Glimpse of What Yer Not

Their new album, Give a Glimpse of What Yer Not, doesn’t reinvent the band’s sound; however, it does contain some of their best work. This is a natural extension of a long career, not just a cute or tired continuation of it.

by Samuel Bollen on August 30, 2016October 2, 2016

If Only For a Moment

Eclipsed is the first performance in Broadway history to be performed, written, and directed entirely by women, of whom four out of five are African. This play is angry. It doesn’t want men.

by Mikaela Gerwin on May 25, 2016

Weezer’s Summery Return

Having traded their 90s-style distortion and macho guitar riffs for piano and sad-boy vulnerability, Weezer is certainly stepping in a new direction.

by Christian Bischoff, Kat Kulke on May 16, 2016


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