As often as my pocketbook and homework allow, I go to New York City to the movies. I come from Kentucky, a place that neither can nor does sate my appetite for cinema. There are no festivals, no repertory theatres, … Read More
As _Avatar_ gradually accrued its second billion dollars in the last few weeks, coverage of the film itself (rather than its receipts) sank from complacent praise to idle speculation. Was the film racist? Well, accidentally. Is there going to be … Read More
As the recent New York Magazine article, “Why Do Women hate Anne Hathaway (But Love Jennifer Lawrence)?” thoughtfully explores, Anne Hathaway bugs people. Unlike the magnetic Jennifer Lawrence, Hathaway has always had trouble garnering public affection. For the most part, I try to stay away from the popular sport of celebrity hating that this article examines.
Finally tapping into the coveted “Action Movie-Goers Ages 55-64” demographic is _RED,_ the first movie to fully recognize that the bad-ass old guy is the most bad-ass bad-ass possible. For that matter, I think I am not exaggerating when I say that, by and large, the older the practitioner, the more raw the feat. I dare you to name one thing that’s not raw as hell when done by a dude or lady of years. Doing push-ups. Chopping firewood. Yelling at Koreans. Speaking to a nation. Chugging a beer.
Roman Polanski has lived one of the most fascinating lives of the last century, though it would be hard to call it “good.” Such a title ought to be reserved for more pleasant, straightforward existences that perhaps begin modestly and … Read More
But in Choke, Victor’s hapless flounderings through sex and love are more reminiscent of the simple comedy that gets Judd Apatow films good ratings, and perhaps that’s some indication that a protagonist’s quest for a fulfilling relationship is more than enough of an issue for any film to tackle.
