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Category: Film

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Lo and Lana

Re-constructing Lolita with Lana Del Rey

by Gloria Umutoni on December 3, 2016

An Orientalist Fantasy

But the more I thought about this movie, the more I realized it simply gives an illusion of depth. A movie filmed with somewhat unconventional techniques, or featuring naturalistic dialogue and little plot, is automatically assumed to be “artsy” and thus philosophical, by association with the style of the French New Wave.

by Emily Lever on December 6, 2012March 22, 2013

I Want You Flat on Your Back, And Then I Want You Strong Again: A Different Phantom Thread

“These are Alma’s and the film’s first words. A cynic will scoff, but no, give a serious thought to this idea. How many of us have the courage to dream – how many of us have the courage to dispense with cynicism and see our dreams come true?”

by Alex Lin on April 8, 2018April 8, 2018

Sorry to Bother You review

“What the story lacks in cohesion and clarity, though, it makes up for in inventiveness and provocation. It seems intentionally on-the-nose that the protagonist’s name is “Cash Green,” as the film takes the inherent absurdity and selfishness of capitalism to the extreme.”

by Katie Duggan on July 31, 2018July 29, 2018

The Outsider

Undernourished Diversions [Perspectives on The Hunger Games ]: Part 1.

by Rafael Abrahams on April 11, 2012March 22, 2013

The Movies, Today

__WALL STREET: MONEY NEVER SLEEPS__
Having been cryogenically frozen at the end of _Wall Street_, Kirk “Michael” Douglas has returned to wreak havok on this new, technologically advanced century with ’80s know-how and slick suspenders. As any movie buff would know, this premise is a direct rip-off of _Jason X_, the one where Jason kills people on a space ship instead of next to a lake.

by Dan Abromowitz on February 24, 2010March 22, 2013

On Screens & Esteem

One day this summer, sitting in a blank white apartment that was not mine, I felt a strange weariness. This apartment was full of more books than I will probably ever read and I had fellowships to apply to and emails to write and the whole Internet in front of me and all of New York City clamoring outside.

by Emily Lever on October 18, 2014November 9, 2014

A History of Silence: Elision and Destruction in the New Mexican Landscape

“There’s power in not having to care. As Inez Guzmán remarks, the film Oppenheimer can leave New Mexico just as its subject did: apparently without a second thought. But there’s also power—more ambivalent, yes, but also more lasting—that comes with needing to pick up the pieces.”

by Daniel Viorica on October 5, 2023October 5, 2023

Oscar Noms

Musings and predictions.

by Tom Markham on February 22, 2012March 22, 2013

“If I Could Just Leave My Body For a Night”

The Major Motion Picture is, along with presidential elections and natural disasters, one of the few events still capable of giving our fragmented culture a sense of unity, brief though it may be. The buzz surrounding the release of such … Read More

by Nick Cox on February 3, 2010March 17, 2013

Licorice Pizza: An Ode to Young Love and Cinema in the San Fernando Valley

A Nass writer looks at the newest film from Paul Thomas Anderson.

by Noah Rawlings on January 18, 2022

Love or Nothing

Shakespeare asks the big questions and sometimes he answers them. In Romeo and Juliet he asks about love, often.

by Zack Newick on October 19, 2011March 17, 2013


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