it rained sixteen months – heavy – before we found you, mud, child, slicked but buffeted, sinking backward & forward. you resisted and slid further smoothing into before as our hands built out to after. smile – we coo – … Read More
“I’m NOT!” I bellow. Not going to school, that is. My homework isn’t done, it’s already 9 am (school started at 8), and I’ve yet to shower. But my mother is up and worried, and my father is done yelling, and I’m about to break. Soon, I’ll remove myself from self-isolation and go down to breakfast. I’ll wash my face, talk to my father, and head to fourth period photography.
To reach “Itinerant Languages of Photography”—one of the Art Museum’s two new temporary exhibits—one has to pass all that is not itinerant about the Museum. The entrance lies to the right of the Museum’s well-worn European mainstays. Each time I entered, I had to pass Washington’s confident gaze, his portrait serving as a reminder of what is permanent and perhaps most validated in the Museum, and what is not.
There is nothing original about my name: Nathan Lang Eckstein. The titles are borrowed, purloined from three contexts, two deceased, and bequeathed upon a blank slate demanding some context. My names are people, so let me introduce you.
Chief Keef is an 18 year old (though his age often contested) rapper from Chicago. He is best known for his songs “I Don’t Like”—with the notorious refrain “that’s that shit I don’t like”—and “Love Sosa”; these two songs respectively have 25 and 30 million views on YouTube; many of his other songs, like “3Hunna” and “Bang,” have millions of views as well.
