When I walked into the women’s locker room at Dillon gym earlier this week, I noticed a poster that made me bite my lip. Tacked up between weekly fitness schedules, the sign grabbed my attention with the headline: “The weight is over.” The line, I thought, could have been pulled from a diet product ad—Sensa, maybe, or Alli. It was the sort of cheesy slogan you see on caffeine-and-diuretic “supplements” at CVS.
Lily Gellman, a freshman, is one of fifty students who auditioned for Ellipses, Princeton’s slam poetry team, this fall. Gellman, who became involved in spoken word during her senior year of high school, hoped to continue to hone her passion for spoken word at Princeton and was excited to discover a slam team on campus.
There’s no reason that competence and authenticity should be odds with one another. Yet many of the ways that we read authenticity—Bernie Sanders’ oversized suits, per say, or Trump’s disregard for political correctness—do defy the codes through which we usually measure a candidate’s fitness for office.
“Always be happy, never be content.” Etched in pavement just a few steps from my dorm, the inscription never fails to draw my attention. I’ve always read it as a testament to Princeton’s hard-driving academic ethos: a reminder to students to always keep striving, never to cease pushing themselves to achieve.
Yet while my parents could censor my wardrobe, they were powerless to change my name. At home, of course, I was Catherine. But at school, I could negotiate on my own terms.
I thought I understood the general order of Lawnparties: live music, free food, and somewhat unsettling numbers of drunken upperclassmen at ten o’clock in the morning. When a roommate first let me in on the “preppy” dress code, however, the tradition struck me as strange. While I knew Princeton was widely considered to be among the “preppiest” of the Ivies, the label had always held a negative connotation to me, and I puzzled as to why students would actively work to perpetuate that stereotype.
When the Daily Princetonian announced, on October 6, that grade deflation was “dead,” campus remained oddly quiet. There was no cheering, no laughing or dancing or popping of screw-top champagne.
Ever since the giddy, popcorn and T. Swift-fueled “Truth” games of seventh grade slumber parties, those two words have become a default response to countless puzzled male faces. From Sex and the City to Gossip Girl, generations of chick flicks and girl-power soap operas reinforce the idea that no crush, no kiss, and no hook up, no matter how “casual” or “on the D-L,” is to be withheld from a girl’s close circle.
