November 22, 2013 is when Susan Howe and David Grubbs sit in Woolworth Hall. Susan Howe and David Grubbs are at Princeton to perform their fourth collaboration, WOODSLIPPERCOUNTERCLATTER. There is no light in the room. A sun is outside, near … Read More
The son-poem continues / by these pastoral lines , / in my ears put / by father , as / words of the mouth of / the poem ‘ s / father , on a short morning / saunter / he set out on alone /
You are so thirsty. You may even be dehydrated. Scorching was the summer that just past, and wet classes and wet friendships are not yet arrived. But relief is near. For if you are reading the Nassau Weekly—and we surmise that you are reading the Nassau Weekly—you are about to become rather damp.
I grew up in Newton, Massachusetts, a quiet settlement eight miles from Copley Square. The Marathon’s route follows Commonwealth Avenue through Newton into Boston. My house is a block from the Marathon’s 20-mile marker, in the middle of Heartbreak Hill, the most notorious of a series of four steep ascents that runners must endure as they pass through the city.
I sit and breathe and try to recall my whole life. I now sit serenely in the brush by this shouldering road. It winds tightly through the Peloponnesian town of Megalopolis, where I sit, through the pink stucco homes clinging staccato to the high side of the mountain our bus, heaving, climbed. Rapt speech in the restaurant behind is mere chatter.
‘ . . . And what greater calamity
[be]falls . . . than the loss of worship . . .
or , in the first eras , territory , river ,
and sure on that tongue . . . my elder-tongue . . .
At school, I no longer had to wait. I was free to do as I pleased and ceased observing the day altogether. But strangely, immediately, Shabbat presented itself to me in a transfiguring light, the radical antidote to all that displeased me here.
