The case for Anne Carson’s _Nox_ might begin with its box (that’s not binding): grey with white binding (that’s not binding) and a single silver sliver, in which stands a boy diver on grass maybe forty summers ago, wearing superhero … Read More
It was a dark and stormy night in a town that knows how to keep its secrets. The pavement was slick with forgotten promises and the air rank with dissolution and ambiguous morality.
When browsing classic disco blogs—always maintained by sweaty, foreign men, a tendency I have learned from the pictures of themselves they publish inexplicably—one can only judge the quality of the records by their album covers. There are no band biographies, no album reviews, no other photographs: it is a cultural archive without history or salesmanship. Determining quality with so little information is a delicate but logical process, the mechanics of which can only be explained by example.
Even today, going back to the sites of the 1990s is a blast from the past. The primitive web design is frankly laughable, though it’s like unfairly comparing cave art to Rembrandt. Websites from the 90’s aren’t bad per se, they simply lack the basic modicums of user-friendliness and aesthetics that we’ve grown used to.
This time last year I was in the Indian Himalayas, spending my days basking in solitude, seeking the serene, the isolated. Before, I had always preferred interaction to isolation. I thrived off of the social, was known as an extrovert. … Read More
