I’ve finally begrudgingly admitted to myself that I am a bad writer. I’m particularly bad at writing dialogue, which I suppose underscores that I am a horrendous conversationalist, by which I mean I am hopelessly self-involved. I find this particularly … Read More
“That subtlety doesn’t just reside in her vocal technique, though. It’s an emotional subtlety that permeates the very essence of any of her recordings.”
A beautiful woman of equestrian breadth, Lets the ends of her hair dandle in her wine, And the talons of love and the poisons of nightclubs, Give her marble skin lifelessness and gloss, And she teases Death and ridicules Debauchery, … Read More
It’s a bright morning, the end of my first week at work. I am still getting used to living on my own in New York. Along the sidewalk outside my station entrance there is always a line of construction workers. … Read More
“She never seemed a hundred percent after that,” Isabella Bersani, a sophomore teammate and friend of Caroline Feeley, says while recalling a match in December of 2012. Certainly, Caroline was less than 100%. On that day during the annual mixed doubles Christmas tournament, Caroline had hurt her MCL in nothing more than a game held for fun between the men and women of Princeton squash.
What follows is an unranked list of ten of the most beautiful freshmen at Princeton, as chosen by us and based on a survey of approximately four upperclassmen girls.
Doug Aitken’s installation _Migration (Empire)_, which is on view in front of the University Art Museum until November 14, has two very different faces.
Cocksure I stand that this lesbian play has become the first theatrical hit to reach Princeton this school year.
How fine it is to go to the theater and find yourself in a proper Boston living room, replete with pomp and circumstance. But take this turn of the 20th century propriety and subvert it with the sexual lewdness of nowadays; mix in marital deceit and seduction of a young lass by a voluptuous lesbian, and you’ll get the formula for David Mamet’s Boston Marriage, the first play of the Theatre Intime season.
My mother and I returned to the Tucson art museum because Rose Cabat’s daughter told us over the phone that the museum was selling Feelies not featured in the retrospective.