A play that claims to portray the authentic refugee experience . . . for fifty-two dollars.
by Daniel Viorica on April 16, 2023
What we can learn from a literary giant’s process of creation.
by David Chmielewski on April 2, 2023
In cheerful defense of shortcuts.
by Peyton Smith on March 5, 2023
A writer searches for meaning in John Bischoff and James Fei’s recent sound performance.
by Lara Katz on February 26, 2023
Revolutionary or rip-off?
by Julia Stern on February 19, 2023February 19, 2023
Ten films, lots of hot takes — join one writer on a cinematic romp.
by Ellie Diamond on November 6, 2022November 6, 2022
Discover Joe Keery’s new album that encapsulates the absurdity, anxieties, and joys of Gen Z.
by Kristiana Filipov on October 2, 2022October 2, 2022
A Nass writer dives into the stories and science behind pop culture icons.
by Lara Katz on August 6, 2022August 5, 2022
“Everything Everywhere managed to accomplish authentic storytelling, complex character relationships, and a three-part plot structure in just over two hours, a feat that I did not think was possible.”
by Eva Vesely on April 17, 2022April 17, 2022
Wherein the writer muses on the inevitable attraction of an indie favorite.
by Christien Ayers on February 20, 2022February 20, 2022
Wherein a Nass writer visits a unique service at the Princeton chapel.
by Sam Bisno on November 20, 2021
A Nass writer reflects on a beloved cartoon.
by David Chmielewski on October 3, 2021October 2, 2021
Context:
Verbatim:
Bot check: What is the name of the res. college that begins with an M?
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