This article began as something simple: write a nice review of Tame Impala’s critically acclaimed sophomore album, Lonerism. But then something struck me.
Kanye West divides and provokes and resides like few entertainers suspended in the stratosphere of fame. His skill as a musician is indubitable, but so is his misbehavior. To some, he is a prophet of the heavens, speaking Truth to … Read More
When maintenance came to clean Jadwin Gymnasium on the morning of November 2, 1978, they found litter on the gym floor, broken glass, and gouges in the basketball court a quarter inch deep.
I don’t remember why I started listening to RadioNow 93.1, Indianapolis’ Top 40 radio station, but I know exactly when. I was nine, and it was the summer after third grade. Before this, I had basically stayed away from pop culture. I didn’t really get it, or like it, and there was a girl in my school who told me she was receiving shots to delay puberty because she had watched too much Britney Spears with her older siblings and it had somehow tricked her body into pressing “skip” over the last part of her pre-preteen years.
Whenever people ask me, “What do Andy Samberg and Beethoven have in common?” I usually point to the obvious: “They both have big hair” or, “they both lived in different centuries.” The comedian and the composer both sport unwieldy manes … Read More
Hundreds of people are crammed into a tiny room and the room is pulsating—not in a figurative, metaphorical sense, but literally. Bodies bounce against each other, arms and legs thrash out angularly, and heads bang in unison.
In a genre ostensibly centered on themes of inclusion, liberation, and progressivism, the disregard for the remarkable role of women in both the development and advancement of the Electronic avant-garde is unfortunate, and even antithetical to the cultural aspects of electronic music that I find most appealing.
