“Punk culture is very atheistic in a certain way, and I never felt like there was really a place there for my Jewish identity. Maybe to some extent people would be into us, but there might be some difficulty in connecting with the traditional punk audience.”
Julia Holter’s music has always suggested a crossroads between what is accessible and alienating; what is pop and what is confident, modern composition. In Have You in My Wilderness, she has sought to directly accommodate both styles, and to move away from the aural and thematic structures that characterized much of her earlier albums.
We cannot presume that Rick Ross is a mastermind, a genius or even sober. We cannot attest to his level of education, his employment history, or his net-worth. We have no idea where he came from: he claims to be Mohammed, the son of Moses, and the reincarnation of Haile Selassie. But, as he tells us on his latest album: none of that matters.
In an interview with Pitchfork in August 2008—shortly before they were to play at Terrace Club for Lawnparties—bassist Ira Wolf Tuton said that his band, Yeasayer, “always wanted to be the biggest band in the world.” This remark is a … Read More
Lord forgive me things I don’t understand. I don’t get Kendrick Lamar. I like to pretend I do. I guess what I don’t understand is my relationship with his music, and what I imagine is his relationship with me as his listener, and, most importantly, his relationship with himself.
