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Byline: Chris Arp

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Firewalk

Hi, this is Danny Aiello, I was the guy talking to your sister this afternoon around 4:30, the Elvis? Listen, I just wanted to ask you if you could tell her to give me a call because well, as you … Read More

by Chris Arp on April 24, 2008March 17, 2013

Week in Review

The 80th Academy Awards were like the 4th of July. You hear fireworks, and think perhaps to go to the window, but on second thought decide to keep on sitting on the couch. You’ve seen fireworks, but at this point … Read More

by Chris Arp on February 28, 2008March 17, 2013

Heady Gabber

Henrik Ibsen’s Hedda Gabler is a fitting play for Princeton University. It takes place within the well-furnished walls of a bourgeois apartment, and is concerned with comfort, or more accurately with the horror of comfort. Like many students on campus, Hedda enters the stage entirely provided for yet entirely hungry, perversely hungry.

by Chris Arp on February 14, 2008March 17, 2013

Films & Books We Have Not Seen

Cinema O.K., so I’m a bit of a film snob. I’ll just put it out there; it’s not as if my pretension is intentional as I, say, swirl my martini in my East Village loft and carry on sotto voce … Read More

by Chris Arp on September 26, 2007March 17, 2013

The State of Society

After a night of drinking, it is a common activity amongst my friends to settle down in a common room and watch the Woodstock DVD. If it is early enough, we will continue to drink while watching, and will watch the whole thing through.

by Chris Arp on September 26, 2007March 17, 2013

Letter from the Editors

It would seem the mad dash to fill the Nass’s literary issue might best warrant a clandestine mafia negotiation; by this logic, the editors (in fedoras and spats, sure, and affecting a Sicilian shtick) would send out coercive e-mails to … Read More

by Chris Arp on May 1, 2007March 17, 2013

The Mystery Behind the Music Man

Last month, senior music major Steve Eaton presented his thesis composition. The performance was broken into two sections. In the first, the audience sat in typical fashion, facing the musicians as they played. The last piece of the first section was two minutes long. The song consisted of one chord, played once and sustained over the duration of the piece. The movement of the song was all in the flux and change of the chord as the wavelengths gradually distended, warped, and eventually faded.

by Chris Arp on April 25, 2007March 17, 2013

From the Editor’s Desk

You know what we’re bored of? Everything that isn’t a Nassau Weekly Lifestlyes Issue. But a Nassau Weekly Lifestyles Issue, now that, that is something we can get excited about! You might be asking: what are these new-fangled lifestyles? Do … Read More

by Chris Arp on April 11, 2007March 17, 2013

Searching for the Underground

If one is to stand in opposition to the middling masquerade that is Princeton culture, to scowl openly at every meaty guffaw or celebratory chant, then one would hope to rest confidently on a wealth of personal depth. It is … Read More

by Chris Arp on April 4, 2007March 17, 2013

Slouching Towards the Television

My favorite thing to do is to lie on my back. When things need to be moved, say a piece of trash that is fermenting under my feet, I grunt and push it aside with my toe. My least favorite … Read More

by Chris Arp on March 7, 2007March 17, 2013

Erotic Comics

On the eve of World War I, an aged Alice checks into a Swiss hotel, carrying with her a large looking glass. Next door, Wendy, still reminiscing over Peter Pan, lies side by side with her dry, buttoned-up husband. Later … Read More

by Chris Arp on January 11, 2007March 17, 2013

A Visit to the Dead Sea Scrolls

So I was cold lounging with my niece in Seattle, just sitting, watching Dora the Explorer and shooting the shit. My niece is nearly a year old, so her opinions are not quite as developed or polished as they could be, but she’s got some thoughts and a taste for the higher things.

by Chris Arp on November 29, 2006March 17, 2013


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