“Lil Peep’s ghostly vocals float drowsily over maximalist emo-trap beats without drowning in them…leaving us with a taste of what might have been: the soaring emotional heights to which rap, the most notoriously heartless genre, almost rose.”
“Those vodka shots wore off real quick– / A few more would have done the trick. / You’re freezing, and a little sad… / How many years left until grad?”
“The static cleared and the broadcast resumed. But I didn’t see the game. I didn’t see the court or the players or the ball. The screen was filled with a close-up of Larry Bird’s face.”
“This isn’t to say that an ending has no value, for where the author leaves us at the end is always strategic and therefore important to
think about. However, we have grown too attached to endings.”
“We have not only altered, or broadened, the meaning of “aesthetic”…we have completely robbed it of its essence, of nearly all its value, in our present usage.”
“We can’t see all the bees dying, we can’t see deforestation, we can’t see shrinking crop yields, most of us cannot even see the ravaged coastline cities of Bangladesh. The climate apocalypse is here, it just isn’t in New Canaan Connecticut yet.”
In the succeeding entries, we telescope “faith,” a word with a variety of connotations. Join us in considering “faith,” its soaring capacities, and its particular and personal ones.
And if it were to embrace a more expansive view of womanhood…a new production that seeks to radically transform the way women are perceived and perceive themselves, could also deal more thoughtfully with other perspectives.
“Genealogy is an engaging project to undergo because it navigates the…paradoxical relationship between a narrowly defined conception of the self and the larger, more communal one”
