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Slowly, a faint hissing sound began to rise. The girls let out nervous giggles and looked around, shaking and sweating (in the form of a singular, gigantic sweat drop forming on each of their absurdly tiny anime noses). The hissing became louder, and we saw a yellowish haze rising around them.
I am eight. It’s the holiday season, I am on winter break, and I am filled with bottomless guilt. My third-grade history textbook has disappeared—vanished somewhere in the bounds of our five hundred square foot portable modular building, immune to my powers of search.
I, a frustrated child of this generation, nursed on, yet never quite weaned off of Technology’s teat, decry the current state of Digital Communication.
I, however, find myself on that latter side of the argument, in the shunned group of speedwalkers. Until now I had always wondered, faintly bothered, why people rarely talk about how wonderful a fast walk is. I personally enjoy them immensely. The problem was I couldn’t really say why, or convince anyone else, without using reasons I found depressingly mundane for the wonderful act: “it saves time.” “Because I can wake up 10 minutes later that way…”
Before, she had felt as though of the night as a separate space—a sealed pocket of her life—but now she was reminded that everything that existed around the pool at daytime still stood by at night: the black hardtop of the basketball court, a racquetball wall, and the town Rec Center itself, a building which tomorrow would reveal to be little more than a grey dome without windows.
A few weeks ago my friend Demi sat on the floor of my dorm room. She was the first person I had seen from my time studying abroad in Switzerland since I had come back to the U.S. almost two years ago. She hadn’t changed much, though I had, and when she said in the rough Swiss German I had missed so strongly, “er het sich verhängt,”—he had hanged himself— I thought to myself in a language I hadn’t spoken in years — “jetzt gibt’s zwei.” Now there are two.
But the more I thought about this movie, the more I realized it simply gives an illusion of depth. A movie filmed with somewhat unconventional techniques, or featuring naturalistic dialogue and little plot, is automatically assumed to be “artsy” and thus philosophical, by association with the style of the French New Wave.
Real class -> Playful pejorative THR 201 : Beginning Studies/Acting -> “Shows for joes” ENG 206 : Reading Literature: Fiction -> “Plots for twats” POL 210 : Political Theory -> “Rules for tools” EGR 194 : Intro Engineering -> “Screws for Jews” JRN 445 : … Read More