The show goes up in the Armory. The stage area – a high-ceilinged opening, difficult to describe and even more difficult to see in the dim blue light – surrounds two rows of mismatched chairs. The audience sits in the … Read More
Two nights before Fences opens, I saw director Roger Q. Mason ‘08 in rehearsal at Theater Intime. He stood onstage, reading and gesturing for a missing actor over the top of his script. The wooden set was unpainted, and the … Read More