Proof concludes with a slowly widening shot, changing in scope from intimate to omniscient until finally releasing us from the claustrophobia of the preceding 100-odd minutes…
The plays at the Second Annual 24-Hour Play Festival weren’t really produced in 24 hours…
~and~
Franz Ferdinand’s eponymous 2004 debut cemented them as the critically adored commercial kings of the retro rock revival movement, even if they arrived a bit late to the party…