“A museum setting might sterilize the dread of the inevitable ending at which any chronological exhibit explicitly in conversation with environmentalism must arrive. But the accessibility of this juxtaposition right up front makes sure one is clued into that inevitability and made to feel it violently.”
“I watch what hovers like genie smoke – the grief –/near ancient tombs of white marble with grey veins,/or gravestones on a desert hill,/images that filter vaguely out of the words we use to mourn./Are you awake?”
“You are buzzed in after a moment, as if you are entering a doctor’s office, as if you are a patient, as if the Freud, whose eyes stare out from the tiers of brochures in the museum’s front room, will tell you in due time what your dreams mean.”
Memories may fade as distance grows wider between ourselves and our young selves, but one thing remains constant: if we dig down deep into the recesses of our experiences, hold light up to the seeds of our current moment, brush off the dust, we might find something worth writing about.
