In week 3 of the Nass gone digital, our masthead is here to offer you a variety of TV, books, movies, and music we think you should check out.
by Abigail Glickman, Andrew White, Drew Pugliese, Elliott Weil, Isabelle Casimir, Meera Sastry, Melina Huang, Pat Macdonald, Peter Taylor, Tara Shirazi, Tess Solomon on April 12, 2020April 12, 2020
“That subtlety doesn’t just reside in her vocal technique, though. It’s an emotional subtlety that permeates the very essence of any of her recordings.”
by Peter Taylor on March 8, 2020March 7, 2020
A review of Joko Anwar’s psychological horror film.
by Gina Feliz on February 16, 2020February 14, 2020
Praise for Islands by Bear’s Den.
by Peter Taylor on November 24, 2019
Considering the notorious Netflix drama.
by Drew Pugliese, Meera Sastry on November 24, 2019November 24, 2019
A Review of the Film: Parasite
by Drew Pugliese on November 10, 2019November 10, 2019
Praise for Boygenius.
by Abbie Lambert on November 10, 2019
“A key part of her message is to underscore the ability of citizens to act collectively by developing a robust public sphere capable of addressing all of these issues simultaneously.”
by Abigail Glickman on October 13, 2019October 12, 2019
Reflections on environmental protest songs.
by Kathryn Short on October 13, 2019October 12, 2019
On the deliberate (and effective) discomfort of Daniel Fish’s Oklahoma.
by Paige Allen on July 31, 2019July 30, 2019
“Wherever you are, it’s no longer about the words but now about an ineffable energy that paradoxically grounds you and makes you feel weightless.”
by Peter Taylor on July 31, 2019July 30, 2019
Halley Feiffer’s Moscow Moscow Moscow Moscow Moscow Moscow opened July 18 at MCC Theater and is scheduled to run through August 3.
by Paige Allen on July 22, 2019July 30, 2019
Bot check: What is the name of the res. college that begins with a B?