“There are a million wolves hiding in the environmental substrate I’ve called speargrass. The reality is that they’re not even wolves. When they get home in the evening, they take off the wolfskin and look just like us.”
“This genre’s title, corecore, makes a totalizing claim on the thousands of balkanized subgenres and subaesthetics that fleet past the user: only a certain set of objects and clips can be dazecore or college dormcore, but corecore encompasses all such ‘cores,’ all these oddly particular aesthetics.”
“She wanted to relive the memories, the ephemeral emotions of happiness she felt when she was younger – unmolded. She did not account for the fact that she was a different person hoping to feel the sentiments of years ago.”
“When I learned about the darker history of Zionism, I needed to reverse so much of what I thought to be true while undoing my deepest personal and communal language. Like leaving a cult, my whole world was turned upside down as I tried to gather the pieces of what was once a coherent story.”
“While an expert knows what is coming next, a beginner tangoes, babbles and belays into the unknown, giddy and relishing in the awkwardness and delight of the unfamiliar. The experience of trying something new and risking failure is both titillating and terrifying. It’s a lot like getting lost.”
“In part, the devastation of Conversations with Friends lies in its ability to pinpoint the impurities that taint how we care for one another, without offering a clear or optimistic way out.”
“You look Right into the mirror and recognize what you’d drawn, part by part. Then you blink and completely forget what you’d seen, where you’d been –– or rather, you can’t really tell whether you had ever seen anything in the first place.”
“The dialogue below [..] is one of those instances in which my participation was peripheral, but the conversation was still exhilarating, confusing, and verging on scandalous.”
“I’d like to think that through educating myself on the topic of the beauty myth, I’ve naturally come closer to adopting a body neutrality mentality; after all, it’s hard to want to play a game that you know is rigged.”
“For Sontag, photography gives the amateur tourist photographer a sense of control— but superficial control. Knowledge— but superficial knowledge. In an unfamiliar, foreign environment the camera offers the illusive feeling of possession and command, in a very real sense empowering the photographer to take something of the place with them as their own.”
