“I watch what hovers like genie smoke – the grief –/near ancient tombs of white marble with grey veins,/or gravestones on a desert hill,/images that filter vaguely out of the words we use to mourn./Are you awake?”
“In the succeeding entries, we telescope our mornings by recounting and recasting. Each succeeding morning of a series is composed in exactly half the number of words of the previous. Diminish with us below.”
“A museum setting might sterilize the dread of the inevitable ending at which any chronological exhibit explicitly in conversation with environmentalism must arrive. But the accessibility of this juxtaposition right up front makes sure one is clued into that inevitability and made to feel it violently.”