A few weeks ago my friend Demi sat on the floor of my dorm room. She was the first person I had seen from my time studying abroad in Switzerland since I had come back to the U.S. almost two years ago. She hadn’t changed much, though I had, and when she said in the rough Swiss German I had missed so strongly, “er het sich verhängt,”—he had hanged himself— I thought to myself in a language I hadn’t spoken in years — “jetzt gibt’s zwei.” Now there are two.
Even today, going back to the sites of the 1990s is a blast from the past. The primitive web design is frankly laughable, though it’s like unfairly comparing cave art to Rembrandt. Websites from the 90’s aren’t bad per se, they simply lack the basic modicums of user-friendliness and aesthetics that we’ve grown used to.
Lord forgive me things I don’t understand. I don’t get Kendrick Lamar. I like to pretend I do. I guess what I don’t understand is my relationship with his music, and what I imagine is his relationship with me as his listener, and, most importantly, his relationship with himself.
“She never seemed a hundred percent after that,” Isabella Bersani, a sophomore teammate and friend of Caroline Feeley, says while recalling a match in December of 2012. Certainly, Caroline was less than 100%. On that day during the annual mixed doubles Christmas tournament, Caroline had hurt her MCL in nothing more than a game held for fun between the men and women of Princeton squash.