It all came to me freshman year while studying Russian syntax and reading some Puskin. I’m there with a semi-erect penis (a state in which I often find myself when studying anything Slavic) and snacking on a chocolate chip cookie … Read More
by Max Kenneth on
This is the man who melted the Cold War. This is the man who led the Soviet Union from 1985 to 1991. This is the man who signed two broad disarmament pacts and ended communist rule in Eastern Europe. This is also the man who did a Pizza Hut commercial in 1997.
But what was he doing in the Trenton, New Jersey on Monday afternoon?
by Max Kenneth on
Though it might otherwise be dismissed as a horribly-written play, Me, Myself & I inspires additional disappointment, flowing as it does from the pen of three-time Pulitzer Prize-winner Edward Albee. A moving and clever piece, it is not. Perhaps the only element that could have saved and justified its stodgy formal progression—an insistent meta-theatricality—comes off as forced, hackneyed, dismissible. Yes, Albee reveals, these are actually actors onstage. We get it. Got it. Good.
by Max Kenneth on
If anyone can pull off the role of satirical, socio-political prophet and shnooky belletrist, it’s Gary Shteyngart. The author of The Russian Debutante’s Handbook and Absurdistan, Shteyngart is one of the punchiest and funniest young novelists out there. His writing, colored and coarsened by the blunt cynicism of his 1970s upbringing in the Soviet Union, draws on intricate tessellations of classic Russian literature, self-deprecating Semitic humor, and current global politics. Being a Jew born in 1972 in the anti-Semitic Soviet Union and having immigrated to Queens in 1979, he has achieved status as a perpetual outsider, who can observe from remove and criticize with greater perspicacity.
by Max Kenneth on
Out of all the streets in the world stretching from Nevsky Prospekt in St. Petersburg to Lombard Street in San Francisco, I have spent the most time traversing Witherspoon and Nassau here in my hometown of Princeton, watching the dynamic of businesses, the ebb and flow of success and decline.
by Max Kenneth on
“TRUST but verify,” goes the Old Russian proverb, and such a maxim can apply to the Guggenheim’s current “RUSSIA!” exhibit, which seems to require further probing – further verification – to find the reason for the obvious compensation attempted by using all capital letters and an exclamation point in its title.
by Max Kenneth on
That I spent the first 13 years of my life living with a Jamaican woman is always striking to those who best know me. Seldom, I suppose, is the topic broached in casual parley. So when I reveal I have … Read More
by Max Kenneth on
Rabbi Eitan Webb, when I come to interview him early last Wednesday in his Nassau Street apartment, is juggling with ease five things at once. The sun rages to highlight red flourishes in his beard and the car beeps become louder as the Princeton Borough awakens, but he is preparing to have some thirty students over for Passover seder, arranging to have a Matzah Ball party with a middle weight boxing champion, balancing his son on his lap, updating the Chabad website, and fingering an official letter from President Shirley Tilghman.
by Max Kenneth on
Espionage becomes us. We traveled to Cambridge, Massachusetts this weekend on a reconnaissance training mission to discover restaurants and entertainment venues that snarky Harvard students frequent. Posing as Mr. Black and Mrs. White – and alternately Vladimir Bolshoi Khoi and … Read More
by Max Kenneth on
When I meet Howard Nuer ’07, a Hassidic Jewish student, three Sundays ago in his room, I am struck most by his bookshelf—filled to the gills with advanced math books and Hebrew scripture. The math major sits relaxed at his … Read More
by Max Kenneth on
Cocksure I stand that this lesbian play has become the first theatrical hit to reach Princeton this school year.
How fine it is to go to the theater and find yourself in a proper Boston living room, replete with pomp and circumstance. But take this turn of the 20th century propriety and subvert it with the sexual lewdness of nowadays; mix in marital deceit and seduction of a young lass by a voluptuous lesbian, and you’ll get the formula for David Mamet’s Boston Marriage, the first play of the Theatre Intime season.
by Max Kenneth on
Forget about Atkins. Don’t give South Beach or any other fad diets a second thought. Here’s the crème-de-la-crème for you: The Dorm Room Diet (Newmarket Press, $16.95, 240p.) by Daphne Oz ’08, without any of those fancy letters after her name denoting medical credentials and expertise. But don’t worry, she’ll help you succeed and make a killing doing it.
by Max Kenneth on