“Most plays have this rule imbedded in them,” said Khalil Sullivan two days before opening night of “Playing in the Dark,” which he wrote and directs for his senior thesis. “A play has an action, a desire that characters want, and obstacles in the way of completing that action.”
“Tangled Up in Blue” is not Bob Dylan’s most convoluted song; “Subterranean Homesick Blues,” with its references to eleven-dollar bills and hanging around in ink wells, probably wins that title. It is not even the most confusing ballad on Blood on the Tracks; Wendy Lesser is right on in her analysis of “Lily, Rosemary, and the Jack of Hearts”: “There are these huge gaps…what [Dylan] leaves out is more interesting in some ways than what he puts in.”
Last November, Josh Blaine was traveling down the coast of California, with the vague intention of reaching Mexico, when he stopped in Santa Barbara. Outside the city’s art museum, he caught sight of a man sitting next to a bike … Read More
Nearly every object in the Princeton University Chapel has been given in someone’s memory. Names of dead Princetonians are etched on the backs of pews, on plaques at the bases of statues, on the very stones that form the Chapel … Read More
Every Princeton senior experiences the same dilemma when searching for a post-graduation: to go to Wall Street or not to go to Wall Street. The lure of a New York finance job is difficult to resist, with its high salary … Read More